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Paolo Tosti
Sir Paolo Tosti (April 9, 1846 – December 2, 1916) was an Italian, later British, composer and music teacher.
Tosti's songs are characterized by natural, singable melodies and sweet sentimentality. He is also known for his editions of Italian folk songs entitled "Canti popoliari Abruzzesi". Tosti is remembered for his light, expressive songs. His style became very popular during the Belle Époque and is often known as salon music. His most famous works are Serenata (lyrics: Cesareo), Goodbye (lyrics: George J. Whyte Mellville) which is sometimes performed in Italian as Addio (lyrics: Rizzelli), and the popular Neapolitan song, Marechiare, the lyrics of which are by the prominent Neapolitan dialect poet, Salvatore Di Giacomo.
As a composer, Tosti is exceptional. Since the beginning of the recording era, numerous recording artists specializing in classical Italian repertoire have recorded Tosti songs, yet Tosti never composed opera. Notable examples on recording include Alessandro Moreschi (the only castrato who ever recorded) singing "Ideale", Nellie Melba singing "Mattinata" and Jussi Björling singing "L'alba separa dalla luce l'ombra".
Tosti's songs are characterized by natural, singable melodies and sweet sentimentality. He is also known for his editions of Italian folk songs entitled "Canti popoliari Abruzzesi". Tosti is remembered for his light, expressive songs. His style became very popular during the Belle Époque and is often known as salon music. His most famous works are Serenata (lyrics: Cesareo), Goodbye (lyrics: George J. Whyte Mellville) which is sometimes performed in Italian as Addio (lyrics: Rizzelli), and the popular Neapolitan song, Marechiare, the lyrics of which are by the prominent Neapolitan dialect poet, Salvatore Di Giacomo.
As a composer, Tosti is exceptional. Since the beginning of the recording era, numerous recording artists specializing in classical Italian repertoire have recorded Tosti songs, yet Tosti never composed opera. Notable examples on recording include Alessandro Moreschi (the only castrato who ever recorded) singing "Ideale", Nellie Melba singing "Mattinata" and Jussi Björling singing "L'alba separa dalla luce l'ombra".
Coldplay
Coldplay are a rock band formed in London, England in 1997. The group comprises vocalist/pianist/guitarist Chris Martin, lead guitarist Jonny Buckland, bassist Guy Berryman, and drummer/multi-instrumentalist Will Champion. Coldplay have sold 34.6 million albums, and are also known for their hit singles, such as "Yellow", "The Scientist", "Speed of Sound", "Fix You", "Viva la Vida" and the Grammy Award-winning "Clocks".
Coldplay achieved worldwide fame with the release of their single "Yellow", followed by their debut album, Parachutes (2000), which was nominated for the Mercury Prize. Its follow-up, A Rush of Blood to the Head (2002) won multiple awards such as NME's Album of the Year and was later included on Rolling Stone magazine's 500 Greatest Albums of All Time list, ranking at #473. Their next release, X&Y (2005), received a slightly less enthusiastic yet still generally positive reception. The band's fourth studio album, Viva la Vida or Death and All His Friends (2008), was produced by Brian Eno and released again to largely favourable reviews. All of Coldplay's albums have enjoyed great commercial success.
Coldplay's early material was compared to acts such as Jeff Buckley, U2, and Travis. Coldplay have been an active supporter of various social and political causes, such as Oxfam's Make Trade Fair campaign and Amnesty International. The group have also performed at various charity projects such as Band Aid 20, Live 8, and the Teenage Cancer Trust.
Coldplay achieved worldwide fame with the release of their single "Yellow", followed by their debut album, Parachutes (2000), which was nominated for the Mercury Prize. Its follow-up, A Rush of Blood to the Head (2002) won multiple awards such as NME's Album of the Year and was later included on Rolling Stone magazine's 500 Greatest Albums of All Time list, ranking at #473. Their next release, X&Y (2005), received a slightly less enthusiastic yet still generally positive reception. The band's fourth studio album, Viva la Vida or Death and All His Friends (2008), was produced by Brian Eno and released again to largely favourable reviews. All of Coldplay's albums have enjoyed great commercial success.
Coldplay's early material was compared to acts such as Jeff Buckley, U2, and Travis. Coldplay have been an active supporter of various social and political causes, such as Oxfam's Make Trade Fair campaign and Amnesty International. The group have also performed at various charity projects such as Band Aid 20, Live 8, and the Teenage Cancer Trust.
Astor Piazzola
Astor Pantaleón Piazzolla (Spanish pronunciation: , Italian pronunciation: ; March 11, 1921 – July 4, 1992) was an Argentine tango composer, bandoneon player, and arranger. His oeuvre revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. A virtuoso bandoneonist, he regularly performed his own compositions with a variety of ensembles.
In 1992, American music critic Stephen Holden described Piazzolla as "the world's foremost composer of tango music"
In 1992, American music critic Stephen Holden described Piazzolla as "the world's foremost composer of tango music"
William Byrd
William Byrd (/bɜːrd/; birth date variously given as c.1539/40 or 1543 – 4 July 1623), was an English composer of the Renaissance. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school), and consort music. Although he produced sacred music for Anglican services, sometime during the 1570s he became a Roman Catholic and wrote Catholic sacred music later in his life.
Marcos Witt
Marcos Witt is an American Christian music singer and pastor. Witt is considered the most influential and famous Spanish speaking figure of Christian music. Nola Witt continued the mission work after his death. Some years later, she married Frank Warren. Together, they began to build new churches in Durango, Mexico. The couple had two children.
Traditional
Benjamin Whelpley
Benjamin Whelpley (1864 - 1946). United Kingdom. American musician; born at Eastport, Maine. He studied music under B. J. Lang and others in Boston, ...
Chopin
Frédéric Chopin (1 March 1810 – 17 October 1849) was a Polish composer and virtuoso pianist of the Romantic period. He is widely regarded as the greatest Polish composer, and ranks as one of music's greatest tone poets.
He was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830–31, he became one of many expatriates of the Polish "Great Emigration."
In Paris, he made a comfortable living as a composer and piano teacher, while giving few public performances. A Polish patriot,
Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, étude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music.
He was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830–31, he became one of many expatriates of the Polish "Great Emigration."
In Paris, he made a comfortable living as a composer and piano teacher, while giving few public performances. A Polish patriot,
Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, étude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music.
Alexander Scriabin
Alexander Nikolayevich Scriabin (/skriˈæbɪn/; Russian: Алекса́ндр Никола́евич Скря́бин; 6 January 1872 – 27 April 1915) was a Russian composer and pianist. Scriabin's early work is characterised by a lyrical and idiosyncratic tonal language influenced by Frédéric Chopin. Later in his career, independently of Arnold Schoenberg, Scriabin developed a substantially atonal and much more dissonant musical system, accorded to mysticism. Scriabin was influenced by synesthesia, and associated colors with the various harmonic tones of his atonal scale, while his color-coded circle of fifths was also influenced by theosophy. He is considered by some to be the main Russian Symbolist composer.
Scriabin was one of the most innovative and most controversial of early modern composers. The Great Soviet Encyclopedia said of Scriabin that, "No composer has had more scorn heaped or greater love bestowed..." Leo Tolstoy once described Scriabin's music as "a sincere expression of genius." Scriabin had a major impact on the music world over time, and influenced composers like Roy Agnew, Nikolai Roslavets, Sergei Prokofiev and Igor Stravinsky. Scriabin's importance in the Soviet musical scene, and internationally, drastically declined. "No one was more famous during their lifetime, and few were more quickly ignored after death." In the 1970s, for instance, there were only three recordings of his complete (published) sonatas. Yet Scriabin's work has steadily regained popularity in recent years.
Scriabin was one of the most innovative and most controversial of early modern composers. The Great Soviet Encyclopedia said of Scriabin that, "No composer has had more scorn heaped or greater love bestowed..." Leo Tolstoy once described Scriabin's music as "a sincere expression of genius." Scriabin had a major impact on the music world over time, and influenced composers like Roy Agnew, Nikolai Roslavets, Sergei Prokofiev and Igor Stravinsky. Scriabin's importance in the Soviet musical scene, and internationally, drastically declined. "No one was more famous during their lifetime, and few were more quickly ignored after death." In the 1970s, for instance, there were only three recordings of his complete (published) sonatas. Yet Scriabin's work has steadily regained popularity in recent years.
Secondhand Serenade
Secondhand Serenade is an American acoustic rock solo project fronted by vocalist and guitarist John Vesely. The solo project began in California, USA, in 2004. Vesely has released two studio albums to date under the name Secondhand Serenade, Awake in 2007 and A Twist in My Story in 2008. The debut album used multitrack recording to create the sound of a band using technology, the second album took a different path, using a proper band and an orchestra to establish a more accomplished sound.
The pseudonym Secondhand Serenade is a reference to the way in which his songs are 'serenades' sung to his wife. People around the world are merely getting to hear the songs 'second-hand'.
The pseudonym Secondhand Serenade is a reference to the way in which his songs are 'serenades' sung to his wife. People around the world are merely getting to hear the songs 'second-hand'.
Giovanni Allevi
Giovanni Allevi (; born in Ascoli Piceno, April 9, 1969) is an Italian pianist and composerAllevi attained a "first-class diploma" both in piano at the "F. Morlacchi" conservatoire in Perugia and in composition at the "G. Verdi" academy of music in Milan. He graduated cum laude in Philosophy with a thesis entitled "Il vuoto nella Fisica contemporanea" (The Void in Contemporary Physics) and he attended the Accademia Internazionale di Alto Perfezionamento in Arezzo, under maestro Carlo Alberto Neri.
Lowell Liebermann
Lowell Liebermann (born February 22, 1961 in New York City) is an American composer, pianist and conductor.[1At the age of sixteen, Liebermann performed at Carnegie Hall, playing his Piano Sonata, op. 1. He studied at the Juilliard School of Music with David Diamond and Vincent Persichetti, gaining bachelor's, master's and doctoral degrees. The English composer-pianist Kaikhosru Shapurji Sorabji also expressed interest in Liebermann's early work, having critiqued the young composer's Piano Sonata in a private exchange between the two; Liebermann's Concerto for Piano, op. 12 would be dedicated to Sorabji.
Adolf von Henselt
Georg Martin Adolf von Henselt (9 or 12 May 1814 – 10 October 1889) was a German composer and virtuoso pianist.Henselt was born at Schwabach, in Bavaria. At the age of three he began to learn the violin, and at five the piano under Josephe von Flad (1778-1843), who had trained in composition with Franz Danzi, Abbé (George Joseph) Vogler, Joseph Graetz and studied piano with Franz Lauska (who later coached Meyerbeer, Felix and Fanny Mendelssohn). His concert debut was at the Odeon in Munich, where he played the opening Allegro to one of Mozart's C major concertos, a free fantasy with variations on a theme from Weber's Der Freischütz, and a rondo by Kalkbrenner
the weather girls
The Weather Girls are an American female duo whose best-known line-up comprised Martha Wash and Izora Armstead. Formed in 1976 in San Francisco, California, The Weather Girls members began their musical career as Two Tons O' Fun, the female backup duo for disco singer Sylvester. After years of limited success singing background for Sylvester, the duo were signed in 1979 to Fantasy Records. The Weather Girls was launched into mainstream recognition following the release of their best-selling single, "It's Raining Men" (1982), which became their first number-one Dance song. Despite critical and commercial success, the duo struggled to repeat the success of "It's Raining Men" and ultimately disbanded after the release of their self-titled fifth album The Weather Girls in 1988.
Edgar Allan Poe
Edgar Allan Poe was an American writer, poet, editor, and literary critic. Poe is best known for his poetry and short stories, particularly his tales of mystery and the macabre. He is widely regarded as a central figure of Romanticism in the United States, and of American literature.
Richard Rodgers
Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American composer of music for more than 900 songs and for 43 Broadway musicals. He also composed music for films and television. He is best known for his songwriting partnerships with the lyricists Lorenz Hart and Oscar Hammerstein II. His compositions have had a significant impact on popular music down to the present day, and have an enduring broad appeal.
Rodgers is one of only two persons to have won an Oscar, a Grammy, an Emmy, a Tony Award, and a Pulitzer Prize (Marvin Hamlisch is the other).
Rodgers is one of only two persons to have won an Oscar, a Grammy, an Emmy, a Tony Award, and a Pulitzer Prize (Marvin Hamlisch is the other).
Braveheart
Braveheart is a 1995 historical action-drama movie produced and directed by Mel Gibson, who also starred in the title role. The film was written for screen and then novelized by Randall Wallace. Gibson portrays a legendary Scot, William Wallace, who gained recognition when he came to the forefront of the First War of Scottish Independence by opposing Edward I of England (portrayed by Patrick McGoohan) and subsequently abetted by Edward's daughter-in-law Princess Isabelle (played by Sophie Marceau) and a claimant to the Scottish throne, Robert the Bruce (played by Angus Macfadyen).
The film won five Academy Awards at the 68th Academy Awards, including the Academy Award for Best Picture and Best Director, and had been nominated for an additional five. Produced by Icon Productions for Paramount Pictures and 20th Century Fox, the film's success helped revive the historical epic genre, with subsequent films such as Gladiator, Troy, Kingdom of Heaven, 300, and Mongol.
The film won five Academy Awards at the 68th Academy Awards, including the Academy Award for Best Picture and Best Director, and had been nominated for an additional five. Produced by Icon Productions for Paramount Pictures and 20th Century Fox, the film's success helped revive the historical epic genre, with subsequent films such as Gladiator, Troy, Kingdom of Heaven, 300, and Mongol.
Johann Sebastian Bach
Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the Art of Fugue, the Brandenburg Concertos, and the Goldberg Variations, and for vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival he has been generally regarded as one of the greatest composers of the Western art musical canon.
Frank Sinatra
Francis Albert "Frank" Sinatra (December 12, 1915 â May 14, 1998) was an American singer and actor.
Beginning his musical career in the swing era with Harry James and Tommy Dorsey, Sinatra became a solo artist with great success in the early to mid-1940s, being the idol of the "bobby soxers". His professional career had stalled by the 1950s, but it was reborn in 1954 after he won the Academy Award for Best Supporting Actor.
He signed with Capitol Records and released several critically lauded albums (such as In the Wee Small Hours, Songs for Swingin' Lovers, Come Fly with Me, Only the Lonely and Nice 'n' Easy). Sinatra left Capitol to found his own record label, Reprise Records (finding success with albums such as Ring-A-Ding-Ding, Sinatra at the Sands and Francis Albert Sinatra & Antonio Carlos Jobim), toured internationally, and fraternized with the Rat Pack and President John F. Kennedy in the early 1960s. Sinatra turned 50 in 1965, recorded the retrospective September of My Years, starred in the Emmy-winning television special Frank Sinatra: A Man and His Music, and scored hits with "Strangers in the Night" and "My Way".
Sinatra attempted to weather the changing tastes in popular music, but with dwindling album sales and after appearing in several poorly received films, he retired in 1971. Coming out of retirement in 1973, he recorded several albums, scoring a hit with "(Theme From) New York, New York" in 1980, and toured both within the United States and internationally until a few years before his death in 1998.
Sinatra also forged a career as a dramatic actor, winning the Academy Award for Best Supporting Actor for his performance in From Here to Eternity, and he was nominated for the Academy Award for Best Actor for The Man with the Golden Arm. His also starred in such musicals as High Society, Pal Joey, Guys and Dolls and On the Town. Sinatra was honored with the Kennedy Center Honors in 1983 and awarded the Presidential Medal of Freedom by Ronald Reagan in 1985 and the Congressional Gold Medal in 1997. Sinatra was also the recipient of eleven Grammy Awards, including the Grammy Trustees Award, Grammy Legend Award and the Grammy Lifetime Achievement Award.
Beginning his musical career in the swing era with Harry James and Tommy Dorsey, Sinatra became a solo artist with great success in the early to mid-1940s, being the idol of the "bobby soxers". His professional career had stalled by the 1950s, but it was reborn in 1954 after he won the Academy Award for Best Supporting Actor.
He signed with Capitol Records and released several critically lauded albums (such as In the Wee Small Hours, Songs for Swingin' Lovers, Come Fly with Me, Only the Lonely and Nice 'n' Easy). Sinatra left Capitol to found his own record label, Reprise Records (finding success with albums such as Ring-A-Ding-Ding, Sinatra at the Sands and Francis Albert Sinatra & Antonio Carlos Jobim), toured internationally, and fraternized with the Rat Pack and President John F. Kennedy in the early 1960s. Sinatra turned 50 in 1965, recorded the retrospective September of My Years, starred in the Emmy-winning television special Frank Sinatra: A Man and His Music, and scored hits with "Strangers in the Night" and "My Way".
Sinatra attempted to weather the changing tastes in popular music, but with dwindling album sales and after appearing in several poorly received films, he retired in 1971. Coming out of retirement in 1973, he recorded several albums, scoring a hit with "(Theme From) New York, New York" in 1980, and toured both within the United States and internationally until a few years before his death in 1998.
Sinatra also forged a career as a dramatic actor, winning the Academy Award for Best Supporting Actor for his performance in From Here to Eternity, and he was nominated for the Academy Award for Best Actor for The Man with the Golden Arm. His also starred in such musicals as High Society, Pal Joey, Guys and Dolls and On the Town. Sinatra was honored with the Kennedy Center Honors in 1983 and awarded the Presidential Medal of Freedom by Ronald Reagan in 1985 and the Congressional Gold Medal in 1997. Sinatra was also the recipient of eleven Grammy Awards, including the Grammy Trustees Award, Grammy Legend Award and the Grammy Lifetime Achievement Award.
Henry Purcell
Henry Purcell (pronounced /ˈpɜrsəl/; 10 September 1659 (?) – 21 November 1695), was an English organist and Baroque composer of secular and sacred music. Although Purcell incorporated Italian and French stylistic elements into his compositions, his legacy was a uniquely English form of Baroque music.
Giovanni Bononcini
Giovanni Bononcini (or Buononcini) (18 July 1670 – 9 July 1747) (sometimes cited also as Giovanni Battista Bononcini) was an Italian Baroque composer, cellist, singer and teacher, one of a family of string players and composers.
Zorba (musical)
Zorba is a musical with a book by Joseph Stein, lyrics by Fred Ebb, and music by John Kander. Adapted from the 1946 novel Zorba the Greek by Nikos Kazantzakis and the subsequent 1964 film of the same name, it focuses on the friendship that evolves between Zorba and Nikos, a young American who has inherited an abandoned mine on Crete, and their romantic relationships with a local widow and a French woman, respectively. The musical premiered on Broadway in 1968 in a production directed by Harold Prince. It was nominated for the Tony Award for Best Musical in a season that included Hair, Promises, Promises and 1776. The last of these won the award. The original production ran for 305 performances, and a 1983 Broadway revival ran for 362 performances with a cast starring Anthony Quinn.
Ennio Morricone
Ennio Morricone, OMRI (born November 10, 1928), is an Italian composer and conductor. He has composed and arranged scores for more than 500 film and television productions. Morricone is considered as one of the most influential film composers since the late 1950s. He is well-known for his long-term collaborations with international acclaimed directors such as Sergio Leone, Brian De Palma, Barry Levinson, and Giuseppe Tornatore.
He wrote the characteristic film scores of Leone's Spaghetti Westerns A Fistful of Dollars (1964), For a Few Dollars More (1965), The Good, the Bad and the Ugly (1966), Once Upon a Time in the West (1968), The Great Silence (1968), and My Name Is Nobody (1973). In the 80s, Morricone composed the scores for John Carpenter's horror movie The Thing (1982), Leone's Once Upon a Time in America (1984), Roland Joffé's The Mission (1986), Brian De Palma's The Untouchables (1987) and Giuseppe Tornatore's Cinema Paradiso (1988).
His more recent compositions include the scores for Oliver Stone's U Turn (1997), Tornatore's The Legend of 1900 (1998) and Malèna (2000), Mission to Mars (2000) by Brian De Palma, Fateless (2005), and Baaria - La porta del vento (2009). Ennio Morricone has won two Grammy Awards, two Golden Globes and five Anthony Asquith Awards for Film Music by BAFTA in 1979–1992. He has been nominated for five Academy Awards for Best Music, Original Score in 1979–2001. Morricone received the Honorary Academy Award in 2007 "for his magnificent and multifaceted contributions to the art of film music". He was the second composer to receive this award after its introduction in 1928.
He wrote the characteristic film scores of Leone's Spaghetti Westerns A Fistful of Dollars (1964), For a Few Dollars More (1965), The Good, the Bad and the Ugly (1966), Once Upon a Time in the West (1968), The Great Silence (1968), and My Name Is Nobody (1973). In the 80s, Morricone composed the scores for John Carpenter's horror movie The Thing (1982), Leone's Once Upon a Time in America (1984), Roland Joffé's The Mission (1986), Brian De Palma's The Untouchables (1987) and Giuseppe Tornatore's Cinema Paradiso (1988).
His more recent compositions include the scores for Oliver Stone's U Turn (1997), Tornatore's The Legend of 1900 (1998) and Malèna (2000), Mission to Mars (2000) by Brian De Palma, Fateless (2005), and Baaria - La porta del vento (2009). Ennio Morricone has won two Grammy Awards, two Golden Globes and five Anthony Asquith Awards for Film Music by BAFTA in 1979–1992. He has been nominated for five Academy Awards for Best Music, Original Score in 1979–2001. Morricone received the Honorary Academy Award in 2007 "for his magnificent and multifaceted contributions to the art of film music". He was the second composer to receive this award after its introduction in 1928.
Andrea Bocelli
Andrea Bocelli (born 22 September 1958) is an Italian operatic pop tenor and a classical crossover singer who has also performed in operas. To date, he has recorded six complete operas (La bohème, Il trovatore, Werther, Pagliacci, Cavalleria rusticana and Tosca) in addition to various classical and pop albums. He has sold 60 million albums worldwide thus far. Born with congenital glaucoma, total blindness came to Bocelli at the age of twelve, after a football accident.
Mei Wei Lim
Graduate of The Royal Academy of Music (GRSM Hons), studied piano, piano accompaniment and flute.
Yiruma
Yiruma (born February 15 1978, Seoul, Korea) is a South Korean piano music composer. He is married to Son Hye-im.
Yiruma is well-known throughout the world, and his albums are sold all over Asia, as well as the United States and Europe. His most famous pieces are "Kiss the Rain", and also "River Flows in You". These pieces are widely mistaken for being associated with the movie Twilight. Although he formerly held dual citizenship as a citizen of the United Kingdom and South Korea, in July 2006 he gave up his British citizenship and entered the Republic of Korea Navy to begin his military service, which is compulsory for all male South Koreans. He has lived in Osaka, Japan for 5 years to promote album sales before giving up his dual citizenship.
Yiruma is well-known throughout the world, and his albums are sold all over Asia, as well as the United States and Europe. His most famous pieces are "Kiss the Rain", and also "River Flows in You". These pieces are widely mistaken for being associated with the movie Twilight. Although he formerly held dual citizenship as a citizen of the United Kingdom and South Korea, in July 2006 he gave up his British citizenship and entered the Republic of Korea Navy to begin his military service, which is compulsory for all male South Koreans. He has lived in Osaka, Japan for 5 years to promote album sales before giving up his dual citizenship.
Lennie Tristano
Leonard Joseph Tristano was an American jazz pianist, composer, arranger, and teacher of jazz improvisation. Tristano studied for bachelor's and master's degrees in music in Chicago before moving to New York City in 1946.
Franz Schubert
Franz Peter Schubert (German pronunciation: ; January 31, 1797 – November 19, 1828) was an Austrian composer. He wrote some 600 Lieder, nine symphonies (including the famous "Unfinished Symphony"), liturgical music, operas, some incidental music, and a large body of chamber and solo piano music. He is particularly noted for his original melodic and harmonic writing.
Schubert was born into a musical family, and received formal musical training through much of his childhood. While Schubert had a close circle of friends and associates who admired his work (amongst them the prominent singer Johann Michael Vogl), wide appreciation of his music during his lifetime was limited at best. He was never able to secure adequate permanent employment, and for most of his career he relied on the support of friends and family. He made some money from published works, and occasionally gave private musical instruction. In the last year of his life he began to receive wider acclaim. He died at the age of 31 of "typhoid fever", a diagnosis which was vague at the time; several scholars suspect the real illness was tertiary syphilis.
Interest in Schubert's work increased dramatically in the decades following his death. Composers like Franz Liszt, Robert Schumann and Felix Mendelssohn discovered, collected, and championed his works in the 19th century, as did musicologist Sir George Grove. Franz Schubert is now widely considered to be one of the greatest composers in the Western tradition.
Schubert was born into a musical family, and received formal musical training through much of his childhood. While Schubert had a close circle of friends and associates who admired his work (amongst them the prominent singer Johann Michael Vogl), wide appreciation of his music during his lifetime was limited at best. He was never able to secure adequate permanent employment, and for most of his career he relied on the support of friends and family. He made some money from published works, and occasionally gave private musical instruction. In the last year of his life he began to receive wider acclaim. He died at the age of 31 of "typhoid fever", a diagnosis which was vague at the time; several scholars suspect the real illness was tertiary syphilis.
Interest in Schubert's work increased dramatically in the decades following his death. Composers like Franz Liszt, Robert Schumann and Felix Mendelssohn discovered, collected, and championed his works in the 19th century, as did musicologist Sir George Grove. Franz Schubert is now widely considered to be one of the greatest composers in the Western tradition.
Scott DeOgburn
Scott deOgburn - Berklee College of Musichttps· Leader and composer, Phat Time · Appearances with Tony Bennett, Natalie Cole, Gladys Knight, and the Temptations · Performances with Jon Faddis, ...
The Lion King
The Lion King is a 1994 American animated feature film produced by Walt Disney Feature Animation, released in theaters on June 15, 1994 by Walt Disney Pictures. It is the 32nd film in the Disney animated feature canon. The film was the highest grossing animated film of all time until the release of Finding Nemo (a Disney/Pixar computer-animated film). The Lion King still holds the record as the highest grossing traditionally animated film in history. This film also belongs to an era known as the Disney Renaissance.
The story, which was strongly influenced by the Shakespearean play Hamlet and Disney's 1942 classic Bambi, takes place in a kingdom of anthropomorphic animals in Africa. A musical film, The Lion King garnered two Academy Awards for its achievement in music. Songs were written by composer Elton John and lyricist Tim Rice, with an original score by Hans Zimmer. Disney later produced two related movies: a sequel, The Lion King II: Simba's Pride; and a part prequel-part parallel, The Lion King 1½.
The Lion King: Original Motion Picture Soundtrack is the original motion picture soundtrack for Walt Disney's The Lion King. The songs were written by Elton John and Tim Rice. The original score was composed and arranged by Hans Zimmer. The soundtrack was recorded in three different countries, namely: USA, UK and South Africa.
The story, which was strongly influenced by the Shakespearean play Hamlet and Disney's 1942 classic Bambi, takes place in a kingdom of anthropomorphic animals in Africa. A musical film, The Lion King garnered two Academy Awards for its achievement in music. Songs were written by composer Elton John and lyricist Tim Rice, with an original score by Hans Zimmer. Disney later produced two related movies: a sequel, The Lion King II: Simba's Pride; and a part prequel-part parallel, The Lion King 1½.
The Lion King: Original Motion Picture Soundtrack is the original motion picture soundtrack for Walt Disney's The Lion King. The songs were written by Elton John and Tim Rice. The original score was composed and arranged by Hans Zimmer. The soundtrack was recorded in three different countries, namely: USA, UK and South Africa.
The Fantasticks
The Fantasticks is a 1960 musical with music by Harvey Schmidt and lyrics by Tom Jones. It tells an allegorical story, loosely based on the 1894 play The Romancers by Edmond Rostand, concerning two neighboring fathers who trick their children, Luisa and Matt, into falling in love by pretending to feud.
Jean Pierre Michaux
Jean Pierre Michaux composer & pianist& arranger.he was born on 1982. .he started piano at 10 and graduated in master degree of composition on Jan 2006 from art univer…
Led Zeppelin
Led Zeppelin were an English rock band formed in 1968 by Jimmy Page (guitar), Robert Plant (vocals), John Paul Jones (bass guitar, keyboards) and John Bonham (drums). With their heavy, guitar-driven sound, Led Zeppelin are regarded as one of the first heavy metal bands. However, the band's individualistic style draws from many sources and transcends any one genre. Their rock-infused interpretation of the blues and folk genres also incorporated rockabilly, reggae, soul, funk, classical, Celtic, Indian, Arabic, pop, Latin and country. The band did not release the popular songs from their albums as singles in the UK, as they preferred to develop the concept of album-oriented rock.
Close to 30 years after disbanding following Bonham's death in 1980, the band continues to be held in high regard for their artistic achievements, commercial success and broad influence. The band have sold more than 300 million albums worldwide, including 111.5 million sales in the United States and they have had all of their original studio albums reach the U.S. Billboard Top 10, with six reaching the number one spot. Led Zeppelin are ranked No. 1 on VH1's 100 Greatest Artists of Hard Rock. Rolling Stone magazine has described Led Zeppelin as "the heaviest band of all time" and "the biggest band of the 70s".
On 10 December 2007 the surviving members of Led Zeppelin reunited (along with deceased drummer John Bonham's son Jason) for the Ahmet Ertegün Tribute Concert at The O2 in London.
Close to 30 years after disbanding following Bonham's death in 1980, the band continues to be held in high regard for their artistic achievements, commercial success and broad influence. The band have sold more than 300 million albums worldwide, including 111.5 million sales in the United States and they have had all of their original studio albums reach the U.S. Billboard Top 10, with six reaching the number one spot. Led Zeppelin are ranked No. 1 on VH1's 100 Greatest Artists of Hard Rock. Rolling Stone magazine has described Led Zeppelin as "the heaviest band of all time" and "the biggest band of the 70s".
On 10 December 2007 the surviving members of Led Zeppelin reunited (along with deceased drummer John Bonham's son Jason) for the Ahmet Ertegün Tribute Concert at The O2 in London.
Paganini
Niccolò Paganini (27 October 1782 – 27 May 1840) was an Italian violinist, violist, guitarist, and composer. He was one of the most celebrated violin virtuosi of his time, and left his mark as one of the pillars of modern violin technique. His caprice in A minor, Op. 1 No. 24 is among his best known of compositions, and serves as inspiration for many prominent artists.
Paganini composed his own works to play exclusively in his concerts, all of which had profound influences on the evolution of violin techniques. His 24 Caprices were probably composed in the period between 1805 to 1809, while he was in the service of the Baciocchi court. Also during this period, he composed the majority of the solo pieces, duo-sonatas,trios and quartets for the guitar. These chamber works may have been inspired by the publication, in Lucca, of the guitar quintets of Boccherini. Many of his variations (and he has become the de facto master of this musical genre), including Le Streghe, The Carnival of Venice, and Nel cor più non mi sento, were composed, or at least first performed, before his European concert tour.
Playbill of Paganini's concert at the Covent Garden in 1832. Note that all solo pieces were of his composition, which was typical of all his concerts.
Generally speaking, Paganini's compositions were technically imaginative, and the timbre of the instrument was greatly expanded as a result of these works. Sounds of different musical instruments and animals were often imitated. One such composition was titled Il Fandango Spanolo (The Spanish Dance), which featured a series of humorous imitations of farm animals. Even more outrageous was a solo piece Duetto Amoroso, in which the sighs and groans of lovers were intimately depicted on the violin. Fortunately there survives a manuscript of the Duetto which has been recorded, while the existence of the Fandango is known only through concert posters.
However, his works were criticized for lacking characteristics of true polyphonism, as pointed out by Eugène Ysaÿe. Yehudi Menuhin, on the other hand, suggested that this might have been the result of his reliance on the guitar (in lieu of the piano) as an aid in composition. The orchestral parts for his concertos were often polite, unadventurous, and clearly supportive of the soloist. In this, his style is consistent with that of other Italian composers such as Paisiello, Rossini and Donizetti, who were influenced by the guitar-song milieu of Naples during this period.
Paganini was also the inspiration of many prominent composers. Both "La Campanella" and the A minor caprice (Nr. 24) have been an object of interest for a number of composers. Franz Liszt, Johannes Brahms, Sergei Rachmaninoff, Boris Blacher, Andrew Lloyd Webber, George Rochberg and Witold Lutosławski, among others, wrote well-known variations on these themes.
Paganini composed his own works to play exclusively in his concerts, all of which had profound influences on the evolution of violin techniques. His 24 Caprices were probably composed in the period between 1805 to 1809, while he was in the service of the Baciocchi court. Also during this period, he composed the majority of the solo pieces, duo-sonatas,trios and quartets for the guitar. These chamber works may have been inspired by the publication, in Lucca, of the guitar quintets of Boccherini. Many of his variations (and he has become the de facto master of this musical genre), including Le Streghe, The Carnival of Venice, and Nel cor più non mi sento, were composed, or at least first performed, before his European concert tour.
Playbill of Paganini's concert at the Covent Garden in 1832. Note that all solo pieces were of his composition, which was typical of all his concerts.
Generally speaking, Paganini's compositions were technically imaginative, and the timbre of the instrument was greatly expanded as a result of these works. Sounds of different musical instruments and animals were often imitated. One such composition was titled Il Fandango Spanolo (The Spanish Dance), which featured a series of humorous imitations of farm animals. Even more outrageous was a solo piece Duetto Amoroso, in which the sighs and groans of lovers were intimately depicted on the violin. Fortunately there survives a manuscript of the Duetto which has been recorded, while the existence of the Fandango is known only through concert posters.
However, his works were criticized for lacking characteristics of true polyphonism, as pointed out by Eugène Ysaÿe. Yehudi Menuhin, on the other hand, suggested that this might have been the result of his reliance on the guitar (in lieu of the piano) as an aid in composition. The orchestral parts for his concertos were often polite, unadventurous, and clearly supportive of the soloist. In this, his style is consistent with that of other Italian composers such as Paisiello, Rossini and Donizetti, who were influenced by the guitar-song milieu of Naples during this period.
Paganini was also the inspiration of many prominent composers. Both "La Campanella" and the A minor caprice (Nr. 24) have been an object of interest for a number of composers. Franz Liszt, Johannes Brahms, Sergei Rachmaninoff, Boris Blacher, Andrew Lloyd Webber, George Rochberg and Witold Lutosławski, among others, wrote well-known variations on these themes.
Samuel Barber
Samuel Osborne Barber II (March 9, 1910 – January 23, 1981) was an American composer of orchestral, opera, choral, and piano music. He is one of the most celebrated composers of the 20th century: music critic Donal Henahan stated that "Probably no other American composer has ever enjoyed such early, such persistent and such long-lasting acclaim."
His Adagio for Strings (1936) has earned a permanent place in the concert repertory of orchestras. He was awarded the Pulitzer Prize for Music twice: for his opera Vanessa (1956–57) and for the Concerto for Piano and Orchestra (1962). Also widely performed is his Knoxville: Summer of 1915 (1947), a setting for soprano and orchestra of a prose text by James Agee. At the time of his death, nearly all of his compositions had been recorded.
His Adagio for Strings (1936) has earned a permanent place in the concert repertory of orchestras. He was awarded the Pulitzer Prize for Music twice: for his opera Vanessa (1956–57) and for the Concerto for Piano and Orchestra (1962). Also widely performed is his Knoxville: Summer of 1915 (1947), a setting for soprano and orchestra of a prose text by James Agee. At the time of his death, nearly all of his compositions had been recorded.
John Dowland
John Dowland (1563 – buried 20 February 1626) was an English composer, singer, and lutenist. He is best known today for his melancholy songs such as "Come, heavy sleep" (the basis for Benjamin Britten's Nocturnal), "Come again", "Flow my tears", "I saw my Lady weepe" and "In darkness let me dwell", but his instrumental music has undergone a major revival, and has been a source of repertoire for classical guitarists during the twentieth century.
Mascagni
Pietro Antonio Stefano Mascagni (December 7, 1863 – August 2, 1945) was an Italian composer most noted for his operas. His 1890 masterpiece Cavalleria rusticana caused one of the greatest sensations in opera history and single-handedly ushered in the Verismo movement in Italian dramatic music. However, though it has been stated that Mascagni, like Leoncavallo, was a "one-opera man" who could never repeat his first success, this is inaccurate. L'amico Fritz and Iris have been popular in Europe since their respective premieres. In fact, Mascagni himself claimed that at one point Iris was performed in Italy more often than Cavalleria (cf. Stivender).
Mascagni wrote a total of seventeen operas and operetta, several orchestral and vocal works, as well as songs and piano music. He enjoyed immense success during his lifetime, both as a composer and conductor of his own and other people's music. If he never repeated the international success of Cavalleria it was probably because Mascagni refused to copy himself. The variety of styles in his operas — the Sicilian passion and warmth of Cavalleria, the exotic flavor of Iris, the idyllic breeze that ventilates the charming L'amico Fritz and Lodoletta, the Gallic chiaroscuro of Isabeau, the steely, Veristic power of Il piccolo Marat, the overripe postromanticism of the lush Parisina — demonstrate a versatility that surpasses even that of Puccini.
Mascagni wrote a total of seventeen operas and operetta, several orchestral and vocal works, as well as songs and piano music. He enjoyed immense success during his lifetime, both as a composer and conductor of his own and other people's music. If he never repeated the international success of Cavalleria it was probably because Mascagni refused to copy himself. The variety of styles in his operas — the Sicilian passion and warmth of Cavalleria, the exotic flavor of Iris, the idyllic breeze that ventilates the charming L'amico Fritz and Lodoletta, the Gallic chiaroscuro of Isabeau, the steely, Veristic power of Il piccolo Marat, the overripe postromanticism of the lush Parisina — demonstrate a versatility that surpasses even that of Puccini.
Lam Phuong
Lam Phương, real name Lâm Đình Phùng (March 20, 1937 – December 22, 2020), was a popular Vietnamese songwriter.[1Lam Phương was born in Vĩnh Thanh Vân village, now a part of Rạch Giá, Kiên Giang Province. In the front of his house was a river, and across the river was Thập Phương Temple. As a result, his childhood memories and imagery prominently featured small rowing boats (con đò) ferrying people across the river, the sound of ringing temple bells, and vast rice paddies, which were etched in his mind throughout his life from childhood and later influenced his musical works. As a very young child, he was fascinated by the sound of ringing temple bells.
Cristopher tin
Christopher Chiyan Tin is an American composer of art music, often composed for film and video game soundtracks. His work is primarily orchestral and choral, often with a world music influence. He has won two Grammy Awards for his classical crossover album Calling All Dawns.
Pedro Laurenz
Pedro Laurenz was a bandoneon player, director and composer of Argentine tango music. He was born on October 10, 1902, and died on July 7, 1972. Pedro was born into a musical family in the La Boca neighbourhood of Buenos Aires and later moving to Uruguay, where he was attracted to the bandoneón.
Allie Wrubel
Elias Paul "Allie" Wrubel (January 15, 1905 – December 13, 1973) was an American composer and songwriter.
Wrubel was born to a Jewish family in Middletown, Connecticut, United States, the son of Regina (née Glasscheib) and Isaac Wrubel. His family founded the Wrubels department store in Middletown, Connecticut. He attended Wesleyan University and Columbia University before working in dance bands. "After earning his bachelor’s degree in 1926, Allie enrolled in graduate music studies at Columbia University. He roomed with his close friend, film actor James Cagney , and began playing with bands in Greenwich Village and making the rounds on Tin Pan Alley." He played saxophone and clarinet for a variety of famous swing bands. In 1934 he moved to Hollywood to work for Warner Bros. as a contract songwriter. He contributed material to a large number of movies, including those of the famous Busby Berkeley before moving to Disney in 1947.Wrubel collaborated with lyricist Ray Gilbert on the song "Zip-a-Dee-Doo-Dah", from the film Song of the South, which won the Oscar for Best Song in 1947.
Wrubel was born to a Jewish family in Middletown, Connecticut, United States, the son of Regina (née Glasscheib) and Isaac Wrubel. His family founded the Wrubels department store in Middletown, Connecticut. He attended Wesleyan University and Columbia University before working in dance bands. "After earning his bachelor’s degree in 1926, Allie enrolled in graduate music studies at Columbia University. He roomed with his close friend, film actor James Cagney , and began playing with bands in Greenwich Village and making the rounds on Tin Pan Alley." He played saxophone and clarinet for a variety of famous swing bands. In 1934 he moved to Hollywood to work for Warner Bros. as a contract songwriter. He contributed material to a large number of movies, including those of the famous Busby Berkeley before moving to Disney in 1947.Wrubel collaborated with lyricist Ray Gilbert on the song "Zip-a-Dee-Doo-Dah", from the film Song of the South, which won the Oscar for Best Song in 1947.
Brian Lowdermilk
Brian Lowdermilk (born December 14, 1982) is an American musical theater composer and lyricistBrian Lowdermilk is a composer and lyricist of musicals. He is also a music director, arranger, vocal coach, and pianist. He is an alumnus of NYU and BMI theatre writing workshop, and CEO of start-up, NewMusicalTheatre.com.
Lowdermilk is best known for his collaborations with Kait Kerrigan. Their works together include shows such as The Bad Years, Republic, Unbound, Flash of Time, The Woman Upstairs, The Unauthorized Autobiography of Samantha Brown (with Zach Altman) and Wrong Number. Lowdermilk and Kerrigan wrote TheatreworksUSA's adaptation of Henry and Mudge, which premiered Off-Broadway in 2006 at the Lucille Lortel Theatre, which is where he made his Off-Broadway debut. In one review of that piece, Lowdermilk and Kerrigan were called "perhaps the most important young writers in musical theatre today."
Lowdermilk is best known for his collaborations with Kait Kerrigan. Their works together include shows such as The Bad Years, Republic, Unbound, Flash of Time, The Woman Upstairs, The Unauthorized Autobiography of Samantha Brown (with Zach Altman) and Wrong Number. Lowdermilk and Kerrigan wrote TheatreworksUSA's adaptation of Henry and Mudge, which premiered Off-Broadway in 2006 at the Lucille Lortel Theatre, which is where he made his Off-Broadway debut. In one review of that piece, Lowdermilk and Kerrigan were called "perhaps the most important young writers in musical theatre today."
Mozart
Wolfgang Amadeus Mozart, full name Johann Chrysostom Wolfgang Amadeus Mozart (27 January 1756 â 5 December 1791) was a prolific and influential composer of the Classical era. His over 600 compositions include works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. Mozart is among the most enduringly popular of classical composers, and many of his works are part of the standard concert repertoire.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Brahms
Johannes Brahms (May 7, 1833 â April 3, 1897) was a German composer of the Romantic period. He was born in Hamburg and in his later years he settled in Vienna, Austria.
Brahms maintained a Classical sense of form and order in his works â in contrast to the opulence of the music of many of his contemporaries. Thus many admirers (though not necessarily Brahms himself) saw him as the champion of traditional forms and "pure music," as opposed to the New German embrace of program music.
Brahms venerated Beethoven: in the composer's home, a marble bust of Beethoven looked down on the spot where he composed, and some passages in his works are reminiscent of Beethoven's style. The main theme of the finale of Brahms's First Symphony is reminiscent of the main theme of the finale of Beethoven's Ninth, and when this resemblance was pointed out to Brahms he replied that any ass â jeder Esel â could see that.
Ein deutsches Requiem was partially inspired by his mother's death in 1865, but also incorporates material from a Symphony he started in 1854, but abandoned following Schumann's suicide attempt. He once wrote that the Requiem "belonged to Schumann". The first movement of this abandoned Symphony was re-worked as the first movement of the First Piano Concerto.
Brahms also loved the Classical composers Mozart and Haydn. He collected first editions and autographs of their works, and edited performing editions. He also studied the music of pre-classical composers, including Giovanni Gabrieli, Johann Adolph Hasse, Heinrich Schütz and especially Johann Sebastian Bach. His friends included leading musicologists, and with Friedrich Chrysander he edited an edition of the works of François Couperin. He looked to older music for inspiration in the arts of strict counterpoint; the themes of some of his works are modelled on Baroque sources, such as Bach's The Art of Fugue in the fugal finale of Cello Sonata No. 1, or the same composer's Cantata No. 150 in the passacaglia theme of the Fourth Symphony's finale.
Brahms maintained a Classical sense of form and order in his works â in contrast to the opulence of the music of many of his contemporaries. Thus many admirers (though not necessarily Brahms himself) saw him as the champion of traditional forms and "pure music," as opposed to the New German embrace of program music.
Brahms venerated Beethoven: in the composer's home, a marble bust of Beethoven looked down on the spot where he composed, and some passages in his works are reminiscent of Beethoven's style. The main theme of the finale of Brahms's First Symphony is reminiscent of the main theme of the finale of Beethoven's Ninth, and when this resemblance was pointed out to Brahms he replied that any ass â jeder Esel â could see that.
Ein deutsches Requiem was partially inspired by his mother's death in 1865, but also incorporates material from a Symphony he started in 1854, but abandoned following Schumann's suicide attempt. He once wrote that the Requiem "belonged to Schumann". The first movement of this abandoned Symphony was re-worked as the first movement of the First Piano Concerto.
Brahms also loved the Classical composers Mozart and Haydn. He collected first editions and autographs of their works, and edited performing editions. He also studied the music of pre-classical composers, including Giovanni Gabrieli, Johann Adolph Hasse, Heinrich Schütz and especially Johann Sebastian Bach. His friends included leading musicologists, and with Friedrich Chrysander he edited an edition of the works of François Couperin. He looked to older music for inspiration in the arts of strict counterpoint; the themes of some of his works are modelled on Baroque sources, such as Bach's The Art of Fugue in the fugal finale of Cello Sonata No. 1, or the same composer's Cantata No. 150 in the passacaglia theme of the Fourth Symphony's finale.
Astor Piazzolla
Ástor Pantaleón Piazzolla (March 11, 1921 – July 4, 1992) was an Argentine tango composer and bandoneón player. His oeuvre revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. An excellent bandoneonist, he regularly performed his own compositions with different ensembles.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
Wagner
Wilhelm Richard Wagner (22 May 1813, Leipzig, Germany - 13 February 1883, Venice, Italy) was a German composer, conductor, theatre director and essayist, primarily known for his operas (or "music dramas", as they were later called). Unlike most other great opera composers, Wagner wrote both the scenario and libretto for his works.
Wagner's compositions, particularly those of his later period, are notable for contrapuntal texture, rich chromaticism, harmonies and orchestration, and elaborate use of leitmotifs: musical themes associated with particular characters, locales or plot elements. Wagner pioneered advances in musical language, such as extreme chromaticism and quickly shifting tonal centres, which greatly influenced the development of European classical music.
He transformed musical thought through his idea of Gesamtkunstwerk ("total artwork"), the synthesis of all the poetic, visual, musical and dramatic arts, epitomized by his monumental four-opera cycle Der Ring des Nibelungen (1876). To try to stage these works as he imagined them, Wagner built his own opera house.
Wagner's musical style is often considered the epitome of classical music's Romantic period, due to its unprecedented exploration of emotional expression. He introduced new ideas in harmony and musical form, including extreme chromaticism. In Tristan und Isolde, he explored the limits of the traditional tonal system that gave keys and chords their identity, pointing the way to atonality in the 20th century. Some music historians date the beginning of modern classical music to the first notes of Tristan, the so-called Tristan chord.
Wagner's compositions, particularly those of his later period, are notable for contrapuntal texture, rich chromaticism, harmonies and orchestration, and elaborate use of leitmotifs: musical themes associated with particular characters, locales or plot elements. Wagner pioneered advances in musical language, such as extreme chromaticism and quickly shifting tonal centres, which greatly influenced the development of European classical music.
He transformed musical thought through his idea of Gesamtkunstwerk ("total artwork"), the synthesis of all the poetic, visual, musical and dramatic arts, epitomized by his monumental four-opera cycle Der Ring des Nibelungen (1876). To try to stage these works as he imagined them, Wagner built his own opera house.
Wagner's musical style is often considered the epitome of classical music's Romantic period, due to its unprecedented exploration of emotional expression. He introduced new ideas in harmony and musical form, including extreme chromaticism. In Tristan und Isolde, he explored the limits of the traditional tonal system that gave keys and chords their identity, pointing the way to atonality in the 20th century. Some music historians date the beginning of modern classical music to the first notes of Tristan, the so-called Tristan chord.
Dario Marianelli
Dario Marianelli (born June 21, 1963 in Pisa, Italy) is a composer of piano, orchestral, and film music. He has composed the soundtracks for The Brothers Grimm (2005), Pride & Prejudice (2005), and Atonement (2007), the last two for which he received Oscar nominations for Best Achievement in Music Written for Motion Pictures, Original Score. He has won Best Original Score for the score of Atonement at the 80th Academy Awards and Golden Globe Award for Best Original Score. He has collaborated with Joe Wright three times, on Pride & Prejudice, Atonement, and The Soloist.
Arcangelo Corelli
Arcangelo Corelli (17 February 1653 – 8 January 1713) was an Italian violinist and composer of Baroque music.
Corelli was born at Fusignano, in the current-day province of Ravenna, although at the time it was in the province of Ferrara. Little is known about his early life. His master on the violin was Giovanni Battista Bassani. Matteo Simonelli, the well-known singer of the pope’s chapel, taught him composition.
He gained his first major success in Paris at the age of nineteen, and to this he owed his European reputation. From Paris, Corelli went to Germany. In 1681 he was in the service of the electoral prince of Bavaria; between 1680 and 1685 he spent a considerable time in the house of his friend and fellow violinist-composer Cristiano Farinelli (believed to be the uncle of the celebrated castrato Farinelli).
In 1685 Corelli was in Rome, where he led the festival performances of music for Queen Christina of Sweden, and he was also a favorite of Cardinal Pietro Ottoboni, grandnephew of another Cardinal Pietro Ottoboni, who in 1689 became Pope Alexander VIII. From 1689 to 1690 he was in Modena; the Duke of Modena was generous to him. In 1708 he returned to Rome, living in the palace of Cardinal Ottoboni. His visit to Naples, at the invitation of the king, took place in the same year.
The style of execution introduced by Corelli and preserved by his pupils, such as Francesco Geminiani, Pietro Locatelli, and many others, was of vital importance for the development of violin playing. It has been said that the paths of all of the famous violinist-composers of 18th-century Italy led to Arcangelo Corelli who was their "iconic point of reference." (Toussaint Loviko, in the program notes to Italian Violin Concertos, Veritas, 2003)
Corelli was born at Fusignano, in the current-day province of Ravenna, although at the time it was in the province of Ferrara. Little is known about his early life. His master on the violin was Giovanni Battista Bassani. Matteo Simonelli, the well-known singer of the pope’s chapel, taught him composition.
He gained his first major success in Paris at the age of nineteen, and to this he owed his European reputation. From Paris, Corelli went to Germany. In 1681 he was in the service of the electoral prince of Bavaria; between 1680 and 1685 he spent a considerable time in the house of his friend and fellow violinist-composer Cristiano Farinelli (believed to be the uncle of the celebrated castrato Farinelli).
In 1685 Corelli was in Rome, where he led the festival performances of music for Queen Christina of Sweden, and he was also a favorite of Cardinal Pietro Ottoboni, grandnephew of another Cardinal Pietro Ottoboni, who in 1689 became Pope Alexander VIII. From 1689 to 1690 he was in Modena; the Duke of Modena was generous to him. In 1708 he returned to Rome, living in the palace of Cardinal Ottoboni. His visit to Naples, at the invitation of the king, took place in the same year.
The style of execution introduced by Corelli and preserved by his pupils, such as Francesco Geminiani, Pietro Locatelli, and many others, was of vital importance for the development of violin playing. It has been said that the paths of all of the famous violinist-composers of 18th-century Italy led to Arcangelo Corelli who was their "iconic point of reference." (Toussaint Loviko, in the program notes to Italian Violin Concertos, Veritas, 2003)
Rachmaninoff
Sergei Vasilievich Rachmaninoff (1 April 1873 - 28 March 1943) was a Russian composer, pianist, and conductor. He was one of the finest pianists of his day and, as a composer, the last great representative of Russian late Romanticism in classical music. Early influences of Tchaikovsky, Rimsky-Korsakov and other Russian composers gave way to a thoroughly personal idiom which included a pronounced lyricism, expressive breadth, structural ingenuity and a tonal palette of rich, distinctive orchestral colors.
Understandably, the piano figures prominently in Rachmaninoff's compositional output, either as a solo instrument or as part of an ensemble. He made it a point, however, to use his own skills as a performer to explore fully the expressive possibilities of the instrument. Even in his earliest works, he revealed a sure grasp of idiomatic piano writing and a striking gift for melody. In some of his early orchestral pieces he showed the first signs of a talent for tone painting, which he would perfect in The Isle of the Dead, and he began to show a similar penchant for vocal writing in two early sets of songs, Opp. 4 and 8. Rachmaninoff's masterpiece, however, is his choral symphony The Bells, in which all of his talents are fused and unified.
Rachmaninoff sometimes felt threatened by the success of modernists such as Scriabin and Prokofiev and wondered whether to cease composing even before he left Russia. His musical philosophy was rooted in the Russian spiritual tradition, where the role of the artist was to create beauty and to speak the truth from the depths of his heart. In his last major interview, in 1941, he admitted his music, like Russian music, was a product of his temperament. He said, on another occasion, "The new kind of music seems to create not from the heart but from the head. Its composers think rather than feel. They have not the capacity to make their works exalt—they meditate, protest, analyze, reason, calculate and brood, but they do not exalt."
Understandably, the piano figures prominently in Rachmaninoff's compositional output, either as a solo instrument or as part of an ensemble. He made it a point, however, to use his own skills as a performer to explore fully the expressive possibilities of the instrument. Even in his earliest works, he revealed a sure grasp of idiomatic piano writing and a striking gift for melody. In some of his early orchestral pieces he showed the first signs of a talent for tone painting, which he would perfect in The Isle of the Dead, and he began to show a similar penchant for vocal writing in two early sets of songs, Opp. 4 and 8. Rachmaninoff's masterpiece, however, is his choral symphony The Bells, in which all of his talents are fused and unified.
Rachmaninoff sometimes felt threatened by the success of modernists such as Scriabin and Prokofiev and wondered whether to cease composing even before he left Russia. His musical philosophy was rooted in the Russian spiritual tradition, where the role of the artist was to create beauty and to speak the truth from the depths of his heart. In his last major interview, in 1941, he admitted his music, like Russian music, was a product of his temperament. He said, on another occasion, "The new kind of music seems to create not from the heart but from the head. Its composers think rather than feel. They have not the capacity to make their works exalt—they meditate, protest, analyze, reason, calculate and brood, but they do not exalt."